This is a guest post by Laurie and Debbie. Debbie Notkin is a body image activist, a feminist science fiction advocate, and a publishing professional. She is chair of the motherboard of the Tiptree Award and will be one of the two guests of honor at the next WisCon in May 2012. Laurie is a photographer whose photos make up the books Women En Large: Images of Fat Nudes (edited and text by Debbie Notkin) and Familiar Men: A Book of Nudes (edited by Debbie Notkin, text by Debbie Notkin and Richard F. Dutcher). Her photographs have been exhibited in many cities, including New York, Tokyo, Kyoto, Toronto, Boston, London, Shanghai and San Francisco. Her solo exhibition “Meditations on the Body” at the National Museum of Art in Osaka featured 100 photographs. Her most recent project is Women of Japan, clothed portraits of women from many cultures and backgrounds. Laurie and Debbie blog together at Body Impolitic, talking about body image, photography, art and related issues. This post originally appeared on Body Impolitic.
Laurie and Debbie say:
and Oscar Pistorius
Mullins and Pistorius present interesting examples. They are both known for being both accomplished athletes and for being physically attractive – Mullins has done modeling work. They present inspiring stories that have generated a fair amount of sports media coverage. And yet things have not been altogether smooth – there has been some controversy regarding the degree to which the carbon fiber prostheses they use for running confer any form of advantage on the runners who use them. Questions over the effect of the prostheses have threatened Pistorius’s bids to compete in the Olympics alongside able-bodied athletes.
I think the combination of positive and negative reactions is worth noting, in light of [Fiona Kumari] Campbell’s writing on culture and disability. Mullins and Pistorius are admired for “overcoming” a perceived disability, and this admiration feels especially safe for people embedded in able-bodied culture because they are conventionally attractive in every other respect. But this is a story with which we only feel comfortable provided that it doesn’t present any kind of threat to our conventional categories of abled and disabled bodies. It is unacceptable for a disabled body to be better at what it does than an abled body. It is even slightly uncomfortable when a disabled body manages to be “just as good”.
We also blogged about Pistorius back in 2007, when we said:
We’re guessing that he won’t be allowed to run all the way to the Olympics, because athletes with “perfect bodies” are terrified being shown up by someone whose natural body is imperfect, and whose prosthetics make him cybernetic.
If the trend to keep visible disabilities as normalcy continues, converting them into assets is an inevitable result. … And if someone competing against Oscar Pistorius needs medication to have the courage to leave the house, and then runs like the wind, would anyone say that he was relying on “something that provides advantages”?
Underlying both Wanenchak’s post and our old one is the cultural conviction that the only way to react to disability is with pity. No one wants to be pitied, but many people are comfortable having others to pity. And it’s easy, if you haven’t thought it out, to pity someone in a wheelchair, or someone who walks tapping her way with a white cane. It’s much more complicated to think about that wheelchair, or that cane as something that opens up the person’s life … and would open it up much more if buildings and streets were more accommodating to a variety of needs. It’s not only complicated, but potentially deeply disturbing, to think about high-tech prostheses, maximized for the needs of a particular person with particular skills at a particular time in his or her life, to think that a “disabled” person perhaps has something that works better than what “normal people” are issued with.
As Wanenchak is deeply aware, many athletic enhancements don’t make people nervous. She talks about skater Johnny Ohno, who is
“as able-bodied as one can get. But … he manages this on the back of technology – on specially designed skates, in special aerodynamic suits, with the help of carefully balanced exercise and nutrition plans; almost no athlete is really “natural” anymore. But at least in part because of the closeness of his body to an able-bodied ideal, this presents no explicit threat to our categories. Ohno fits the accepted model of “human.”
You can say the same of any world-class athlete. The distinction seems to be between what we perceive as “compensations”–replacements for body parts that don’t work or aren’t there–and what we perceive as “enhancements,” physical aids or practices that we put on top of what is “supposed to be there.” Ohno skates on the legs he was born with, in his special skates, in his special suit. Mullins and Pistorius run on legs they weren’t born with, and manage to be successful, conventionally attractive, and enviable. Since we don’t have any cultural slots open for disabled, successful, conventionally attractive, and enviable, people get confused, disturbed, and sometimes threatened.