Cover Art for Bloodchildren

This is a guest post by Laurie and Debbie. Debbie Notkin is a body image activist, a feminist science fiction advocate, and a publishing professional. She is chair of the motherboard of the Tiptree Award and will be one of the two guests of honor at the next WisCon in May 2012. Laurie is a photographer whose photos make up the books Women En Large: Images of Fat Nudes (edited and text by Debbie Notkin) and Familiar Men: A Book of Nudes (edited by Debbie Notkin, text by Debbie Notkin and Richard F. Dutcher). Her photographs have been exhibited in many cities, including New York, Tokyo, Kyoto, Toronto, Boston, London, Shanghai and San Francisco. Her solo exhibition “Meditations on the Body” at the National Museum of Art in Osaka featured 100 photographs. Her most recent project is Women of Japan, clothed portraits of women from many cultures and backgrounds. Laurie and Debbie blog together at Body Impolitic, talking about body image, photography, art and related issues. This post originally appeared on Body Impolitic.

Laurie says:

When Nisi Shawl called me up and asked me to do the cover for her anthology Bloodchildren, I was astonished. Not because she asked me but because I knew I was going to say yes. I’ve never done a cover and my photography is normally unsuited for SF anthology. But two days before she called, for the first time I had a clear sense of my new project, and this request fit the areas I was thinking about.

It was very intense time consuming work, and a joy to do.

It’s being published as a fund raiser for the Octavia Butler Memorial Scholarship. I’ve been involved with the scholarship since it began. It’s published by Book View Press

The parameters were challenging. It had to be visible at the postage stamp size of covers on Amazon, also work in the full Ebook cover side, and it needed to work in black and white. Nisi wanted seeds as part of the image and left the rest of to me.

I immediately knew that I wanted a jaw and that the background need to be a vivid crimson. (A computer screen is potentially a stained glass window.) I was able to find a fox skull and delicately sawed off the jaw bones. The background is a vivid red silk which gives the image flow, texture and potentially subtle shadowing. Seeds came from my daughter Shayin (the gardener). Obviously the composition and the lighting were central.

Candra K. Gill did a superlative design for the text.

The book is being published by the Book View Cafe as a fund raiser for the Octavia Butler Memorial Scholarship, and is only available till June 22.

From Book View Cafe:

And it was at the moment of reading this line that something relaxed within me. I’d been impressed and entertained before that moment, but in reading Wilson’s story I realized that this collection really was inspired by one of the great modern masters of the SF form, inspired in the highest sense of the word. Octavia Estelle Butler was my friend, the most dedicated writer I’ve ever known, and a shy, sweet, generous giant of a woman. This collection celebrates her life and legacy, but more to the point, it is an opportunity for a generation of writers to announce their arrival in a burst of literary thunder.

Rest well, Octavia: your legacy is safe. Steven Barnes

Every year, the Carl Brandon Society, whose goal is to increase diversity in the field of science fiction, presents scholarships to two students of color accepted to the prestigious Clarion and Clarion West writers’ workshops. The scholarships, named in honor of the brilliant African-American writer Octavia Butler, pay workshop tuition and housing fees for the recipients. Since 2007, they have made it possible for eleven students to attend the workshops.

If you contribute a mere $8.01 to the scholarship fund, you can download Bloodchildren: Stories by the Octavia E. Butler Scholars, an ebook anthology of science fiction and fantasy stories by these students — the voices of the new generation of writers of color in speculative fiction.
Edited by Nisi Shawl, Bloodchildren includes an introduction by Nalo Hopkinson and a memoir by Vonda N. McIntyre of her friendship with Octavia Butler, which began when they were students together at the Clarion Workshop in 1970.

The collection includes ground-breaking stories by Indrapramit Das, Shweta Narayan, Caren Gussoff, Rochita Loenen-Ruiz, Lisa Bolekaja, Chris Caldwell, Jeremy Sim, Erik Owomoyela, Dennis Y. Ginoza, Mary Burroughs, and Kai Ashante Wilson.

This special ebook is available only until June 22, 2013, Octavia’s birthday. She would have been sixty-six this year.

Octavia taught at Clarion and Clarion West, and provided enormous support there — and elsewhere — to other writers of color. Through these scholarships, she continues to do so.

Help continue Octavia’s work. Please support the scholarship program right now with a modest $8.01 donation, and then download your gift: this original anthology celebrating an international coterie of writers who are truly the children and inheritors of Octavia Butler.
This is Octavia Butler’s brood. Her bloodchildren, her kindred, scattered into the future. This is what she’s sown. And our world’s so much better for it.” — Stephen Graham Jones

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5 comments for “Cover Art for Bloodchildren

  1. Alara Rogers
    February 19, 2013 at 3:30 pm

    This sounds awesome. I actually can’t even afford $8 on books right now, but as soon as my finances improve I am totally buying this.

  2. oxygengrrl
    February 19, 2013 at 6:03 pm

    Nisi Shawl, Nalo Hopkinson, Vonda McIntyre, and talented new voices that I might otherwise wait weeks, months, or years to check out? To support the Carl Brandon Society and remember Octavia Butler? And with a lovely cover, too? Sold.

  3. February 19, 2013 at 10:33 pm

    Thank you! Looking forward to reading.

  4. February 20, 2013 at 1:05 am

    oxygengrrl -glad you liked the cover.

    Everyone, enjoy the book!

  5. February 20, 2013 at 1:20 am

    The cover is gorgeous. The contents actually match it!

    Alara, just remember, it’s only available till June 22.

Comments are closed.