Category: Entertainment

Quick hit: Underpowerment and belfies

It’s not my place to tell a woman she shouldn’t spend $25 on a pair of panties if she wants to. I would never say that a feminist can’t enjoy pink bubble letters. And if you’re so comfortable enough with your body that you want to take and share a selfie of your butt, that’s good for you.

Thus I present this without comment.

In which Caperton indulges in a moment of feminism-adjacent (if that) nerd rage

[Content note: Very little, if anything, to do with feminism, and everything to do with Caperton taking advantage of an available forum]

You’ll have to pardon me for a moment, because a significant facet of my childhood has been mishandled much in the manner of a 19th century Spanish fresco. And yes, the imperfect yet beautiful original is the Jem cartoon, and yes, the nightmare-inducing Hodor-Jesus restoration is the Jem and the Holograms live-action movie.

The pressing question of Scarlett Johansson’s underwear

In honor of today’s U.S. release of Avengers: Age of Ultron (since we don’t do sequel numbers now, just subheads), I thought I’d share an interview with Scarlett Johansson about the nuances of her character, the Black Widow, in light of her backstory as an orphan, trafficked as a young child, brainwashed and forced into service but now using the skills that were imposed upon her for an arguably, but not entirely, noble cause.

J/K! It’s about whether or not she can wear underwear under her tight costume.

EXCLUSIVE – Full transcript of “India’s Daughter”

Today is International Women’s Day, and whilst Feministe has historically received flak for sometimes myopic, U.S.-centric feminism, today’s post is at the globetrotting end of the spectrum. Were you disappointed by recent news that India’s misogynists have succeeded in intimidating England’s BBC into actively pulling Leslee Udwin’s rape culture documentary from YouTube’s servers in California? Long story short, India’s Daughter is now considered contraband, much like vibrators in Alabama. So we sat and laboriously typed up a transcript of Udwin’s film, in all its damning glory…

Q&A: Crowdfunding feminism into media…

Women’s representation in media is actually growing worse, not better, and women still comprise a fraction of directors off-screen. Unsurprisingly, some of the more feminist media we’ve seen in recent years – Tropes vs. Women, Veronica Mars and Hunting Ground – have been funded through alternative means or produced independently, to avoid creative interference by misogynistic studio suits. In this post, I interview one woman who’s ended up using the crowdfunding model to work on her upcoming Slut: A Documentary Film

The Oscars: A Twitter-Eye View

I didn’t watch the Oscars because nobody was paying me to, but I did follow my friends watching them on Twitter, and here is what I gather: 1) Patricia Arquette made the stupidest white mainstream feminist plea for equal pay…

Q&A: Rape, documentary filmmaking and triggers…

Millennials, social media and damning federal investigations are reshaping rape culture’s topography, as more women push back against a culture that loves protecting rapists and vilifying victims. One survivor of childhood slut-shaming opted to make her experience public, posting her diary from childhood online. And after hearing from other women their harrowing encounters with rape culture and victim-blaming, she decided to try making a documentary about rape culture itself. This post stems from Feministe’s interview with the accidental feminist filmmaker behind Slut: A Documentary Film

Just a few reminders before you buy those “50 Shades” Valentines

[Trigger warning for sexual violence and emotional abuse]

Valentine’s Day is coming up! That day of romance, of togetherness, of coupledom, of… domestic abuse… Valentine’s Day is the release date of 50 Shades of Grey, that sensationalistic movie based on the “How to Spot an Abuser” pamphlet in your college guidance counselor’s office. Women and men who have read the book and know perfectly well what the story is about will flock to theatres, either a) dreaming of the day that they’ll be stalked and violated by someone as dreamy as Christian, or b) hoping to score on Valentine’s night with the person they took to the movie. And while people are free to get their rocks off to whatever they want (within certain limits), it’s important to acknowledge that what may (for some reason) come across as sultry and sexy on the page would, in real life, be a Razorbacks halftime show’s worth of red flags.

Cosby’s career death is a feminist failure, not victory…

Media attention around Bill Cosby’s fondness for drugging/raping women might be fading, but it’s not going away. Yet Woody Allen just scored a new show, despite longstanding claims of raping children from his own family. As pundits ponder why Cosby is nose-diving whilst Allen and countless others keep chugging along, it’s time to once and for all settle the question of why Cosby’s career really tumbled…

More hashtag envy: “Meninists” complain that everything isn’t about them #LikeAMeninist

Always, the company that sells menstrual products, ran a minute-long Super Bowl spot trimmed down from their longer #LikeAGirl video released this summer. The ad challenges the stereotype that running, throwing, and fighting “like a girl” indicates weakness and ineptitude by running the expression by adults (and one young boy), and then by a series of girls who haven’t yet been told that “like a girl” is usually meant as a bad thing. And then it took about ten minutes for the meninists to start protesting the “inequality” that there wasn’t another commercial for #LikeABoy.

This is why we can’t have nice things.