Media attention around Bill Cosby’s fondness for drugging/raping women might be fading, but it’s not going away. Yet Woody Allen just scored a new show, despite longstanding claims of raping children from his own family. As pundits ponder why Cosby is nose-diving whilst Allen and countless others keep chugging along, it’s time to once and for all settle the question of why Cosby’s career really tumbled…
Always, the company that sells menstrual products, ran a minute-long Super Bowl spot trimmed down from their longer #LikeAGirl video released this summer. The ad challenges the stereotype that running, throwing, and fighting “like a girl” indicates weakness and ineptitude by running the expression by adults (and one young boy), and then by a series of girls who haven’t yet been told that “like a girl” is usually meant as a bad thing. And then it took about ten minutes for the meninists to start protesting the “inequality” that there wasn’t another commercial for #LikeABoy.
This is why we can’t have nice things.
Shorter Pogo: I said some awful things, and now my Twitter is full of people are telling me they were awful, and I may have just alienated my core fanbase. So NOT FAIR, because it was all just an experiment anyway, you bratty feminist hyenas!
Content note: slavery, racism When I saw a news story about the Whitney Plantation, I was reminded of the conversation we had here about Ani DiFranco’s obnoxious and ill-conceived idea to have a retreat at a plantation, about how, if…
It’s Friday, and it’s been a rough week, and it’s been an even rougher two weeks, and more or less the entire world deserves better than it’s been getting, and here’s what the Harry Potter series would look like if Hermione were the main character.
[Content note for rape]
During their opening monologue at the Golden Globes last night, hosts Tina Fey and Amy Poehler went there: They went straight in with a series of very direct jokes about the rape allegations against Bill Cosby.
Guest Blogger Alex Ketchum is a PhD candidate in the Department of History at McGill University.
Audiences and critics alike appear enamored with director Rob Marshall’s cinematic adaptation of Stephen Sondheim’s 1987 musical Into The Woods. However, no one seems to be talking about the misogyny within its plot.