Race & Ethnicity
By posting two pictures of themselves – one in a conventionally positive scenario, and another in a more negative light – hundreds of people have hit back at a form of stereotyping they feel is common in the media.
UPDATE: as requested in comments, I want to make it clear that discussion of everything regarding police actions in Ferguson related to the Michael Brown shooting and the brutal shutdown of peaceful protests there, plus the history of other police shootings and oppression of POC, is on topic for this thread....read more
Theodore Wafer, the man who killed Renisha McBride as she knocked on his door searching for help after a car accident, has been convicted of second-degree murder, voluntary manslaughter, and a felony firearm charge....read more
The trial of Theodore Wafer, the Dearborn Heights man who shot 19-year-old Renisha McBride in the face when she knocked on his door for help after a car accident, started last week. He faces charges of second-degree murder, manslaughter, and use of a firearm in the commission of a felony after he responded to McBride’s knocking by opening his front door and shooting her through the screen door....read more
@thetrudz has compiled a timeline of tweets that lay out what’s been happening with the pseudo-feminist troll hashtag #EndFathersDay and how it rapidly devolved from anti-feminist sockpuppeting to misogynoir sockpuppeting with very little pushback except from the targeted WoC and BW tweeters themselves....read more
Marissa Alexander appeared in court Friday morning to request a new Stand Your Ground immunity hearing, hoping for a chance to demonstrate that the abuse she suffered at the hands of her husband justified her use of a warning shot to defend herself. To support her legal defense, Prison Culture will be selling No Selves to Defend: A Legacy of Criminalizing Women of Color for Self Defense, an anthology of stories, poetry, and original art about women of color who have been imprisoned for defending themselves....read more
Alexis Okeowo in The New Yorker: Nigeria’s stolen girls.
If this were happening anywhere else in the world, there would have been non-stop mass media coverage of the burnt school and the grieving families and relentless questioning of the relevant officials as to the inadequacy of the search and rescue operations....read more
[Strong, strong trigger warning for rape]
In the March 10 episode of his podcast, David Choe recounted in lurid and self-satisfied detail his activities of the night before, in which he raped his masseuse at a massage parlor. On Friday, shortly after the story came out on Gawker and xojane, he insisted on his blog that he was totally joking, that he hates rapists, that his art is controversial, and that all he’s guilty of is bad storytelling. Call me a humorless feminist, but I’m not laughing....read more
Fred Phelps, Sr., despicable human being and founder of the notorious hate group Westboro Baptist Church, has died.
Family members have said that Phelps, who one estranged son says has been excommunicated from the church, will have no funeral to picket....read more
Some starter links for positive discussions on outstanding people and events, and thoughts on the annual “bbbbut wheeeen is White History Month?!?” tantrum-throwers....read more
Today is always a good day to re-read not just the I Have a Dream speech, but King’s Letter from a Birmingham Jail. Today is also a day when lots of great writing on race and equality tends to get published, so link what you’re reading in the comments....read more
Ani DiFranco’s “Righteous Retreat” songwriting camp was originally scheduled for next June at Nottaway Plantation in White Castle, Louisiana. It’s a charming, verdant resort with luxurious rooms, fine dining, and expansive event facilities, all built on the back of a “wiling workforce” (per the resort’s website) of hundreds of slaves used as physical labor and, on occasion, currency....read more
As one blogger asked, where were you when Beyoncé’s self-titled album was dropped on December 13, 2013? The world was shell-shocked when the Beytomic bomb exploded on the musical landscape. After this initial shock and awe, fans of her music have been able to digest her masterpiece in all its glory. We can surely talk for days about her more explicit sensuality. Or her refined ratchetness. Or how this coincides with her shift in musical expression. I’d like to explore the latter of these two. And what it means for her as black woman who grew up middle class in the south. They are these intersections of race and class—not to mention gender, which has already been talked about a good bit in feminist spaces—that make Beyoncé so fascinating and, as one of my homegirls and Melissa Harris Perry (my homegirl in my head) put it, will doubtless be the album that launches a thousand woman’s studies papers....read more